Vintage Military - Part 109

Civil War

Today is Veterans Day, and we have some really vintage veterans – from the Civil War.

The U.S. Civil War lasted from 1861 to 1865.  Afterwards, the U.S. Government published a set of books called The Medical and Surgical History of the War of the Rebellion.  It was a record of Civil War medical issues in six large volumes, covering camp diseases, epidemics, battlefield wounds, surgical procedures, and amputations.  Today we see some illustrations from the book.  These are lithographs made from photographs of wounded soldiers.  All of the soldiers in these 6 photos suffered "gunshot fractures of the femur".

Above, Captain D. Lewis, 8th Ohio (left) and Private A. F. Dinsmore, 3rd Michigan (right).

Lieutenant J. Buckley, 140th New York (left) and Private J. Hamilton, 1st Delaware (right).

Sergeant A. Ryder, 121st New York (left) and Private T. Miller, 116th Pennsylvania (right).

Private H. E. Gumberts, 136th Indiana (left) and Private H. Shetter, 7th Wisconsin (right).

Private J. Durst, 69th New York (left) and Private M. Burns, 28th Massachusetts (right).

Private R. Hanlon, 5th U.S. Cavalry (left) and Private J. O'Connor, 16th Michigan (right).

It's interesting to see the men's hairstyles that were current 160 years ago (not much different from today) and the facial hair (mustaches were popular).  Also, although it's difficult to tell in some of the images, most if not all of these men were uncircumcised.  Circumcision for non-Jews was not promoted in the U.S. until the late 1800s.

Beach Bums - Part 92

 Cobblers Beach, Sydney

Cobblers Beach is a small beach located in Sydney Harbour National Park on the northern edge of Sydney Harbour near Sydney, Australia.

It's an official nude beach.  The beach is small and can almost disappear at high tide.

It is perhaps most famous as the location for the Sydney Skinny, an annual nude swimming event, named after skinny dipping, that was held here starting in 2013.  Above, bathers entering the water at the 2013 Sydney Skinny.

Some of the Sydney Skinny participants in 2017.  Those who appreciate rear views (like Rick) can click for a larger view.

Some of the Sydney Skinny participants in 2019 being photographed by a guy whose swim trunks say "lifesaver".  I assume that's Aussie for lifeguard, but it makes me wonder what this LifeSaver tastes like.

The Sydney Skinny in 2023.  Each year, the event raised money for charity.  In 2023, more than 1000 people participated, but it failed to set a record for the most people getting naked, which was set in Ireland in 2018 with 2505 people.  Unfortunately, Sydney Skinny was cancelled in 2026 due to lack of funding and failure to attract a corporate sponsor.

We end with this guy on Cobblers Beach in 2023.  G'day, mate!

Gods, Myths and Heroes - Part 89

Misericords

In medieval churches, people had to stand up while saying prayers.  This could be a problem for elderly monks and other clergy members who had to endure prayer sessions that went on for a long time.  The solution was to provide misericords, a type of seat that could be flipped up or down.  When flipped down, it was a seat that you could sit on.  When it was flipped up, as shown above, it still provided a little perch that you could rest your butt on while standing.

The undersides of these wooden seats were carved by local artists.  Sometimes they used Biblical themes, like Adam in Carlisle Cathedral, England.

But more often, it was not thought proper to use religious images on something that people rested their ass on.  So the local artists were given free reign on the misericords to depict anything they wanted to.  The artists went to town, often depicting things that you would not expect to see in a church.  Above, a figure mooning in the church of Onze-Lieve-Vrouwekerk, Aarschot, Belgium.

A naked man in the Catedral de Santa Maria, Ciudad Rodrigo, Spain.

Frontal views are rare, but there are a few of them, like this naked man being attacked by a fantasy animal in the church of Saint Ferreol, Essomes sur Marnes, France.

And apparently there were no restrictions on rear views, like this one in the church of Notre Dame, Rodez, France.

Or this one in the Oude Kerk, Amsterdam.

Another misericord in the same church (Oude Kerk, Amsterdam) shows a man shitting money.  Did it perhaps depict a local rich man?

We end with a misericord in the Great Malvern Priory in Malvern, England.  The man at right has the head of a bull.  Does that suggest that he's hung like a bull?  But the woman at left has stuck two bellows up his ass.  I'm thinking that's not the kind of blow job that he was hoping for.

World Naked Bike Ride - Part 98

Brighton 2026

The World Naked Bike Ride (WNBR) in Brighton, England is one of the largest in the country.  This year, it was scheduled in June but postponed.  The rescheduled WNBR happened on September 12.  Riders gathered in Preston Park.

This guy attracted my attention for some reason.

A rear view of him.  He had "GO" painted on both his front and back.

The ride began through the streets of Brighton.

Here's flamingo man riding.

A rear view of flamingo man.

Near him is a guy on skates with the painted message "Car Sick".  I don't know why it's painted backwards (perhaps for motorists to see in their rear-view mirror?).  I think "Car Sick" is a clever nod to one of the WNBR messages: please ride bikes instead of driving cars, because cars generate pollution that makes us sick.

This banner proclaims a similar message: "Cycle for Clean Air".

I did not see any signs advocating WNBR's other main message: asking drivers to drive more carefully around bike riders.  But some riders had their own messages.  This guy is painted with the words "Equality" (misspelled), "Inclusion" and "Diversity".

And this rider just wants us to "Be Happy".

Estonian Photos - Part 55

Estonian Photos

We continue our series of photos from the Tartu Ülikooli museum of anthropology in Estonia.

I am presenting the photos in reverse chronological order; that is, each new post has photos earlier in the sequence.  The later photos show a front view, rear view, and side view of two men.  At this earlier point in the sequence, the photos show a front view and a side view of a single man.

For those who haven't seen my previous posts in this series, a few words of explanation.  The museum provides no information about the men, other than the photos came from the Institute of Anatomy at the University of Tartu.  In particular, it does not say who these men are, or when or why the photos were taken.  However, the photos are labeled "Füüsilise antropoloogia pildistus" (physical anthropology photography).

Who are these men?  My best guess is that they are military recruits.  The very short haircuts suggest that these photos were taken during or shortly after the enlistment process.

When were the photos taken?  My best guess is between World War I and World War II, when Estonia was an independent country with its own military.  Before WWI, Estonia was part of the Russian Empire, and after WWII, Estonia was part of the Soviet Union until 1991.

A clue to the time frame is that these photographs were made on glass plates, not film.

Dry glass-plate photography started in 1871 and began to fall out of use in the 1920s.  I found some references to it in Estonia through the 1930s.

One other clue to the time frame of these photos is that in two other photos in this series, the man is wearing a wristwatch.   Wristwatches were considered to be for ladies before World War I.  (Men used pocket watches.)  However, during the war, wristwatches proved very useful for soldiers and pilots.  After WWI, wristwatches came into fashion for men.

Although wristwatches were evidently rare in Estonia (only two men wore a wristwatch among the hundreds that were photographed), it suggests that these photos are post-World War I.

Since the use of glass plates fell out of use in the 1920s, I think the photos were most likely taken shortly after World War I.

Some of the men in this series have darker faces and hands.  Are they tanned from working outside like farmers?  We don't know.

Although these appear to be military recruits, these are probably not military photos.  We know that the museum that currently has the photos got them from the Institute of Anatomy at the University of Tartu.  If these are military photos, why would they end up at the Institute of Anatomy?

I believe the photos were taken by academics doing a study of physical anthropology.

Scientists at the Institute of Anatomy were trying to measure what they considered racial characteristics of the population by measuring the body, including phrenology (measuring the skull), ideas which are now discredited.

I think that the scientists at the Institute of Anatomy may have persuaded the military to let them take photographs of the naked new recruits for "research" purposes.

I have no written evidence to support this idea, but since the photos were at the Institute of Anatomy, and the photo subjects appear to be military recruits, it's now my best guess as to what happened.

Later photos in this series each contain a pair of men.  A question that perennially arose: why were the men photographed in pairs?  Was it to save film?

The answer is that these photos were made on glass plates, not film, but glass plates were more expensive and involved more labor than film, so yes, it's likely that the men were photographed in pairs to save on glass plates.

But these earlier photos are of individual men.  The idea of photographing the men in pairs to save on glass plates must have occurred to someone later in the project, after these photos were taken.

Bottom line: My best guess is that these photos were taken after World War I, the subjects are new or recent Army recruits, and the Estonian military allowed scientists from the Institute of Anatomy to take photos of the naked recruits for a study of physical anthropology.